After Nicky violently forces Ginger out of his restaurant, she threatens to go to the FBI.This is the one scene the real Lefty Rosenthal took offense to.Ginger tries to reassure him that she can 'back him off'. When Ace learns that Ginger is having an affair with Nicky, he is less angry than terrified, since such a thing could get them all killed.Better, at one point a man walks past the two of them as a paranoid Nicky asks 'Who's this guy? Who's this guy?' Turns out, that moment wasn't scripted: he was just a random man walking in the middle of the scene and Pesci's reaction to it was real. The scene where Nicky and Frankie have a business conversation out on the street (because the FBI had already placed a wire in their joint), but have to keep covering their mouths because of the lip readers.As such, uploads of the song on YouTube are filled with comments from the film. All of this is wonderfully set to 'Ain't Got No Home' by Clarence 'Frogman' Henry.And, of course, to Sherbert: 'What are you staring at, you bald-headed Jew prick?' He proceeds to beat him up with a telephone, even ripping it off the wall and slamming it on his back as he's on the ground.'Why the fuck do you keep lookin' at him?'.'Take this stiff and pound it up your sister's ass!'.'Take this stiff and pound it up your fucking ass!'.'How the fuck can you grin? How the fuck can you grin? You know how much I'm stuck? Do you give a fuck? Do ya?'.

The infamous scene with Nicky overspending in the casino.Nicky dislikes being 'watched' by the people he robs so he turns their pictures around, as if he were the offended party there.Specifically the part where he laments that 'today it looks like Disneyland' while we get a dramatic shot of a gang of old people entering the casino with the operatic music from the opening playing in the background. Ace's ending speech, which is essentially him telling the tale of how Las Vegas' Audience-Alienating Era began.Fridge Brilliance when you consider not just that the real-life counterpart Lefty Rosenthal was eccentric like this, but this is also his lesson to Green about what it means to very carefully scrutinize the floor.If you listen closely to the music as he walks off to the kitchen, the singer asks 'How long can this go on?' Even the background music thinks it's outrageous!.

Bonus points for the camera panning back and forth between the two muffins, as if being comically sympathetic.

Casino holes in the desert quote